{"id":10804,"date":"2025-11-26T14:29:23","date_gmt":"2025-11-26T14:29:23","guid":{"rendered":"https:\/\/dpir.am\/?p=10804"},"modified":"2025-11-26T14:29:24","modified_gmt":"2025-11-26T14:29:24","slug":"the-summary-of-the-project-armenian-culture-in-english","status":"publish","type":"post","link":"https:\/\/dpir.am\/?p=10804&lang=en","title":{"rendered":"The Summary of the Project &#8220;Armenian Culture in English&#8221;"},"content":{"rendered":"\n<p><a href=\"https:\/\/dpir.am\/?cat=74&amp;lang=en\" data-type=\"link\" data-id=\"https:\/\/dpir.am\/?cat=74&amp;lang=en\">Yura Ganjalyan<\/a><\/p>\n\n\n\n<p>Information about Armenia and Armenian culture is scarce in state-approved English textbooks. Considering the fact that, in recent years, Armenian students have increasingly preferred textbooks published by Oxford and Cambridge Universities as well as Macmillan, where such information is entirely absent, the relevance and urgency of the issue become clear. For objective reasons, the Armenian school student is unable to adequately present Armenian culture in English\u2014an ability that is rightly included in the educational standards for foreign languages.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"310\" height=\"163\" src=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image.png\" alt=\"\" class=\"wp-image-10805\" srcset=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image.png 310w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-300x158.png 300w\" sizes=\"auto, (max-width: 310px) 100vw, 310px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"459\" src=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-1.png\" alt=\"\" class=\"wp-image-10806\" srcset=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-1.png 1024w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-1-300x134.png 300w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-1-768x344.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>It was precisely this problem that our learning project with 11th-grade students aimed to address.<\/p>\n\n\n\n<p>The first step toward solving the issue was the public presentation of the project on November 21 in the Reading Hall of the Research Lyceum, attended by about 60\u201370 students. The first speaker was&nbsp;<strong>Irina Grigoryan<\/strong>, whose topic focused on&nbsp;<strong>Armenian architecture<\/strong>. She presented both the architectural features of historical monuments\u2014particularly ecclesiastical architecture\u2014and aspects of modern urban design. Armenian architecture reflects the spirit and history of the Armenian people. Shaped by the mountains and valleys of the Armenian Highland, it cannot be confined to a single place or era. Each structure tells a story of the Armenian people\u2019s faith, creativity, and resilience.<\/p>\n\n\n\n<p>While speaking about modern architecture, Irina highlighted the significant contributions of&nbsp;<strong>Alexander Tamanian<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"459\" src=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-2.png\" alt=\"\" class=\"wp-image-10807\" srcset=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-2.png 1024w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-2-300x134.png 300w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-2-768x344.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>A short research project on\u00a0<strong>Armenian carpet weaving<\/strong>\u00a0was presented by\u00a0<strong>Anna Yeghoyan<\/strong>. She provided information about the oldest Armenian carpets, compared the characteristics of Armenian and Persian carpets, and explained how to distinguish them. The primary motif of the Armenian carpet is the\u00a0<strong>cross<\/strong>, while Persian carpets do not feature it.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"201\" height=\"251\" src=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-3.png\" alt=\"\" class=\"wp-image-10808\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"183\" height=\"275\" src=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-4.png\" alt=\"\" class=\"wp-image-10809\"\/><\/figure>\n\n\n\n<p>In her presentation, Anna also spoke about&nbsp;<strong>Megeryan handmade carpets<\/strong>,&nbsp;<strong>Tufenkian carpets<\/strong>, and the&nbsp;<strong>Vaslyan antique carpet gallery<\/strong>.<\/p>\n\n\n\n<p>The theme of&nbsp;<strong>Armenian fine arts<\/strong>&nbsp;was presented by&nbsp;<strong>Sargis Sargsyan<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-5.png\" alt=\"\" class=\"wp-image-10810\" srcset=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-5.png 1024w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-5-300x198.png 300w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-5-768x508.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"1024\" src=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-6.png\" alt=\"\" class=\"wp-image-10811\" srcset=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-6.png 576w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-6-169x300.png 169w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure>\n\n\n\n<p>If Saryan\u2014then bright wildflowers and sun-kissed fruits in a cheerful still life.<br>If Hakobyan\u2014then a bunch of garlic casually thrown on a chair in a modest kitchen corner.<br>If Saryan\u2014then an August grapevine heavy with sweet, sunlit clusters.<br>If Hakobyan\u2014then a vineyard pruned for winter in the bleak days of December.<br>If Saryan\u2014then a proud portrait of Aram Khachaturian, the composer of&nbsp;<em>Spartacus<\/em>&nbsp;and&nbsp;<em>Gayane<\/em>&nbsp;ballets.<br>If Hakobyan\u2014then a thin, weary man bent under the sorrow of the world, seated on a backless wooden stool.<\/p>\n\n\n\n<p>A wonderful presentation on&nbsp;<strong>Armenian classical music<\/strong>&nbsp;was delivered by&nbsp;<strong>Gurgen Abrahamyan<\/strong>, whose speech was accompanied throughout by carefully selected background music.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"459\" src=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-7.png\" alt=\"\" class=\"wp-image-10812\" srcset=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-7.png 1024w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-7-300x134.png 300w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-7-768x344.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The haunting sound of\u00a0<em>Krunk<\/em>\u00a0played as he spoke about Komitas. The exhilarating\u00a0<strong>Sabre Dance<\/strong>\u00a0by Aram Khachaturian accompanied Gurgen\u2019s brief account of the great composer\u2019s life and work. His musical choices were remarkably tasteful. For instance, when the slide dedicated to\u00a0<strong>Arno Babajanyan<\/strong>\u00a0appeared, the hall heard his\u00a0<em>Nocturne<\/em>\u00a0performed on piano. The next slide was devoted to\u00a0<strong>Tigran Mansuryan<\/strong>, accompanied by the tender, soul-soothing music written for the film\u00a0<em>A Piece of Sky<\/em>\u00a0(<em>\u053f\u057f\u0578\u0580 \u0574\u0568 \u0565\u0580\u056f\u056b\u0576\u0584<\/em>).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u0531\u057c\u0576\u0578 \u0532\u0561\u0562\u0561\u057b\u0561\u0576\u0575\u0561\u0576 - \u0546\u0578\u056f\u057f\u0575\u0578\u0582\u0580\u0576\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/JKs3wOOgliY?start=71&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u054f\u056b\u0563\u0580\u0561\u0576 \u0544\u0561\u0576\u057d\u0578\u0582\u0580\u0575\u0561\u0576 - \u053f\u057f\u0578\u0580 \u0544\u0568 \u0535\u0580\u056f\u056b\u0576\u0584\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_EU-B_4eb0U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>The project concluded with the final presentation by\u00a0<strong>David Malkhasyan<\/strong>, dedicated to\u00a0<strong>Yeghishe Charents<\/strong>. Within his remaining five minutes, David could not cover everything he had prepared. Therefore, he chose to focus not on Charents the poet with his brilliant works, but on\u00a0<strong>Charents the person<\/strong>\u2014restless, quick-tempered, loud, a man who once shot at the 17-year-old girl who rejected him, a man who struggled with addiction. David\u2019s choice is understandable: he envisions his future in the field of history, and historians are always inclined to uncover the darker, lesser-known pages of our past.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"461\" src=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-8.png\" alt=\"\" class=\"wp-image-10813\" srcset=\"https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-8.png 1024w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-8-300x135.png 300w, https:\/\/dpir.am\/wp-content\/uploads\/2025\/11\/image-8-768x346.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Yura Ganjalyan Information about Armenia and Armenian culture is scarce in state-approved English textbooks. Considering the fact that, in recent years, Armenian students have increasingly preferred textbooks published by Oxford and Cambridge Universities as well as Macmillan, where such information is entirely absent, the relevance and urgency of the issue become clear. For objective reasons, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-10804","post","type-post","status-publish","format-standard","hentry","category-pedagogical-approaches"],"_links":{"self":[{"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/posts\/10804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dpir.am\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10804"}],"version-history":[{"count":1,"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/posts\/10804\/revisions"}],"predecessor-version":[{"id":10814,"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/posts\/10804\/revisions\/10814"}],"wp:attachment":[{"href":"https:\/\/dpir.am\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dpir.am\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dpir.am\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}