{"id":12345,"date":"2026-08-22T08:03:54","date_gmt":"2026-08-22T08:03:54","guid":{"rendered":"https:\/\/dpir.am\/?p=12345"},"modified":"2026-08-22T08:03:55","modified_gmt":"2026-08-22T08:03:55","slug":"international-cultural-project-this-morning-that-night","status":"publish","type":"post","link":"https:\/\/dpir.am\/?p=12345&lang=en","title":{"rendered":"International Cultural Project \u201cThis Morning, That\u00a0Night\u201d"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\">The international cultural project&nbsp;<strong><em>This Morning, That Night<\/em><\/strong>&nbsp;stands as a testament to a profound love for the Armenian language, Armenian culture, devotion to the Armenian nation, and patriotism. Conceived by French-Armenian painter, poet, and publisher&nbsp;<strong>Gevorg Ayvazyan<\/strong>, together with&nbsp;<strong>Knarik Nersisyan<\/strong>, Head of the School of Fine Arts at the&nbsp;<em>Mkhitar Sebastatsi Educational Complex<\/em>, the project is one of those rare initiatives whose true significance lies not only in the pages of the book it produced, but also in the remarkable journey that brought the book into being.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">This publication is far more than the outcome of a year\u2019s work. It is the culmination of three years of cultural cooperation between Armenia and France, built upon mutual trust, creative dialogue, and a shared artistic vision. The foundations of this collaboration were laid during the&nbsp;<em>Art Festival<\/em>&nbsp;of the Mkhitar Sebastatsi Educational Complex, where, through the initiative and coordination of Knarik Nersisyan, numerous international artists were welcomed to Armenia. Within this vibrant creative environment, a partnership emerged with the French cultural initiative&nbsp;<strong>MENK<\/strong>, through which Gevorg Ayvazyan first came to Armenia. What began as a single visit soon developed into an enduring creative friendship, and that friendship ultimately evolved into the idea that has now taken shape as&nbsp;<em>This Morning, That Night<\/em>.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">From the very beginning, the project was sustained by two complementary creative directions that came together in remarkable harmony. Guided by his artistic vision and literary sensibility, Gevorg Ayvazyan undertook the selection and presentation of contemporary Armenian poets from the Diaspora. At the same time, Knarik Nersisyan coordinated the Armenian side of the project\u2014bringing writers together, overseeing its literary and organizational development, building creative partnerships, and guiding the initiative from concept to realization. The convergence of these two distinct yet inseparable roles gave birth to a book that deserves to be regarded not merely as a literary anthology, but as an inspiring example of successful international cultural collaboration.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The significance of this undertaking also rests upon a distinguished historical tradition. More than a century ago, the first major effort to introduce Armenian poetry to the English-speaking world was made by&nbsp;<strong>Alice Stone Blackwell<\/strong>. In 1896, and later in the expanded 1917 edition published in Boston, her landmark anthology&nbsp;<em>Armenian Poems<\/em>&nbsp;offered English readers their first substantial encounter with the richness of Armenian classical poetry, bringing together the voices of Grigor Narekatsi, Sayat-Nova, Hovhannes Tumanyan, Avetik Isahakyan, Siamanto, and many other distinguished poets.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">More than one hundred years later, that same aspiration finds a new expression in&nbsp;<em>This Morning, That Night<\/em>. If Alice Stone Blackwell sought to introduce the world to the treasures of Armenian classical poetry, this project opens a window onto the voices of contemporary Armenian poets, presenting them to an international readership in several languages. Times have changed, circumstances have changed, yet the underlying vision remains remarkably constant: to ensure that the voice of the Armenian poet continues to be heard far beyond the borders of Armenia.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The book unfolds before the reader as a rich mosaic of contemporary Armenian poetry. Within its pages, Eastern and Western Armenian poets meet; voices from Armenia converse with those of the Diaspora; different generations and diverse artistic sensibilities stand side by side. What unites them is more than a shared language. They are bound together by a common creative responsibility toward the experiences, memories, aspirations, and hopes of contemporary life.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The editors and compilers of this volume never set out to assemble a definitive canon of the \u201cbest\u201d contemporary Armenian poets. Such an ambition would, perhaps, have been impossible from the outset. At this very moment, an unknown young writer may be composing a first poem in a remote Armenian village or in Glendale, California. Years from now, that poet\u2019s voice may well become an indispensable part of modern Armenian literature. For this reason,&nbsp;<em>This Morning, That Night<\/em>&nbsp;should not be read as a final selection, but rather as an honest, authentic, and compelling portrait of Armenian poetic expression in our own time.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The volume brings together works by the following contemporary Armenian poets:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-medium-font-size\"><strong>Nshan Abasyan<\/strong>\u00a0\u2014\u00a0<em>An Ordinary Thing<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Ani Asatryan<\/strong>\u00a0\u2014\u00a0<em>Pause<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Tsovik Karapetyan<\/strong>\u00a0\u2014\u00a0<em>A Fragment of Darkness<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Raffi Avedissian<\/strong>\u00a0\u2014\u00a0<em>The Bridge<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Susan Khartalyan<\/strong>\u00a0\u2014\u00a0<em>The Other Side of the Night<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Tamar Marie Boyajian<\/strong>\u00a0\u2014\u00a0<em>Ever<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Hasmik Simonyan<\/strong>\u00a0\u2014\u00a0<em>Spring<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Maral Akhtokmakyan<\/strong>\u00a0\u2014\u00a0<em>The Pit<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Avag Yepremyan<\/strong>\u00a0\u2014\u00a0<em>A Distant Feast<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Mher Arshakyan<\/strong>\u00a0\u2014\u00a0<em>The Poet<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Anush Kocharyan<\/strong>\u00a0\u2014\u00a0<em>Forgive Our Morning Sleep<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Meri Mkrtchyan<\/strong>\u00a0\u2014\u00a0<em>Stone Land<\/em><\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Marush Yeramyan<\/strong>\u00a0\u2014\u00a0<em>Silence<\/em><\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The literary preparation of the Armenian edition was coordinated by literary scholar and editor&nbsp;<strong>Hayk Hambardzumyan<\/strong>, while the selection and editorial work for the Western Armenian poets was undertaken by the U.S.-based poet&nbsp;<strong>Tamar Marie Boyajian<\/strong>, who is also preparing the English translations for the book\u2019s forthcoming international edition.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">All this reminds us once again that&nbsp;<em>This Morning, That Night<\/em>&nbsp;is not the achievement of a single author or editor. It is the result of a genuinely collective creative endeavour, in which every participant, through a distinct and indispensable contribution, helped bring a shared vision to life.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Yet even the word&nbsp;<em>collaboration<\/em>&nbsp;seems insufficient.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">What emerged here is something deeper\u2014an act of&nbsp;<strong>shared creation<\/strong>, a creative whole in which each participant completes the work of the others, allowing the final achievement to become greater than the sum of its individual contributions.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>The Conceptual Key<\/strong><\/p>\n\n\n\n<h1 class=\"wp-block-heading\"><\/h1>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The conceptual key to the book lies in Gevorg Ayvazyan\u2019s&nbsp;<em>Three Circles<\/em>\u2014a work that serves simultaneously as the book\u2019s preface and as an independent prose poem. More than simply opening the volume, it invites the reader into its inner world, revealing the source of the book\u2019s evocative and enigmatic title,&nbsp;<em>This Morning, That Night<\/em>.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Here, night is far more than a time of day. It is the symbol of creation itself. In the stillness of the night, the poet hears the first words taking shape within the soul; the painter glimpses the first colours emerging in the imagination; the musician senses the first melodies stirring in the depths of the inner world. None of these yet belongs to others. They remain invisible, existing only in the silent sanctuary of the creator\u2019s spirit.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Then comes the morning.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Yet morning does not interrupt the night; rather, it is its natural continuation. It is that almost imperceptible moment when inspiration begins to take form, when words find their precise order, colours discover their harmony, and thought attains its fullest expression.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The third circle is the birth of the work itself\u2014the moment when inspiration ceases to belong solely to its creator and begins to live within the reader, the viewer, or the listener. From that moment onward, art becomes a dialogue between the artist and the world.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">This idea is expressed throughout the book not only through words, but also through images. The original engravings created especially for this project are far more than decorative elements. They form an integral part of the artistic whole, entering into a quiet yet profound dialogue with the poetry itself. During the book\u2019s launch exhibition in Yerevan, these engravings were presented as independent works of art, once again affirming that poetry, visual art, and the art of fine printing exist here not as separate disciplines, but as parts of a single creative vision.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Perhaps it is precisely this sense of wholeness that defines the uniqueness of&nbsp;<em>This Morning, That Night<\/em>. The project neither confines itself to literature nor concludes with the final page of the book. Within its pages, poetry, visual art, translation, and international cultural collaboration merge into a unified creative experience, where the different languages of art do not compete with one another but continue each other\u2019s conversation in perfect harmony.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>The Epilogue<\/strong><\/p>\n\n\n\n<h1 class=\"wp-block-heading\"><\/h1>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em>This Morning, That Night<\/em>&nbsp;has long since ceased to be merely the title of a book. It has become the symbol of a creative journey in which an idea grows into collaboration, collaboration evolves into a cultural event, and that cultural event, in turn, becomes the beginning of new journeys.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The greatest achievement of this project is not simply the publication of a book. It is its power to bring people together, to foster trust, and to create meaningful encounters between different creative worlds. Here, the Armenian artist living in France, the cultural leader in Armenia, the editor, the poet, the translator, the painter, the musician, and the researcher all speak different artistic languages, yet they are united in the service of a single idea. That idea is culture\u2014a force that recognizes no borders.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Equally significant is the fact that the project does not conclude with the publication of the book. It continues its journey through artistic residencies, research initiatives, exhibitions, an international edition, public conversations, and new encounters. In this sense,&nbsp;<em>This Morning, That Night<\/em>&nbsp;is not a completed story but an ongoing cultural process, one in which every new stage promises fresh discoveries, new creative partnerships, and works of art yet to be born.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">More than a century ago, Alice Stone Blackwell introduced the voice of classical Armenian poetry to the English-speaking world. Today, through the initiative of Gevorg Ayvazyan and the dedicated work of Knarik Nersisyan, Hayk Hambardzumyan, Tamar Marie Boyajian, and all those who have contributed to this remarkable undertaking, another important step is being taken\u2014bringing contemporary Armenian poetry, visual art, and intercultural dialogue to an international audience.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">May this book become not only the beautiful culmination of what has already been achieved, but also the beginning of new collaborations, new translations, and new creative encounters. For authentic culture never ends with the final page. Like the morning itself, it is always born from the inspiration of the preceding night, carrying with it the promise of new light.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Perhaps that is why&nbsp;<em>This Morning, That Night<\/em>&nbsp;is far more than the title of a book. It is a reminder that every genuine work of art comes into being when an idea meets devotion, and talent finds its fullest expression through shared endeavour.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The international cultural project&nbsp;This Morning, That Night&nbsp;stands as a testament to a profound love for the Armenian language, Armenian culture, devotion to the Armenian nation, and patriotism. Conceived by French-Armenian painter, poet, and publisher&nbsp;Gevorg Ayvazyan, together with&nbsp;Knarik Nersisyan, Head of the School of Fine Arts at the&nbsp;Mkhitar Sebastatsi Educational Complex, the project is one of [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":11257,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74],"tags":[],"class_list":["post-12345","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yura-ganjalyan"],"_links":{"self":[{"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/posts\/12345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dpir.am\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12345"}],"version-history":[{"count":1,"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/posts\/12345\/revisions"}],"predecessor-version":[{"id":12347,"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/posts\/12345\/revisions\/12347"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dpir.am\/index.php?rest_route=\/wp\/v2\/media\/11257"}],"wp:attachment":[{"href":"https:\/\/dpir.am\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dpir.am\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dpir.am\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}